In recent years, Chinese furniture manufacturers have started to develop their own unique furniture lines that blend traditional and modern elements. These pieces often feature leg-based designs and are adorned with vibrant colors that appeal to contemporary tastes. Additionally, they incorporate modern materials such as glass and leather, making them both functional and aesthetically appealing.
Seventy years after the term "by the side" was commonly used, the concept of "Chinese style" has made a strong return in the American furniture design industry. While China has long been a major producer of furniture—ranging from antique pieces to custom-made Western-style sofas and bedroom sets—these items were not traditionally seen as part of the mainstream American market.
Chinese furniture, especially Ming Dynasty antiques, has gained significant popularity in the United States. The clean lines, elegant craftsmanship, and seamless joinery of Ming-style furniture reflect a timeless aesthetic. In contrast, late Qing Dynasty pieces are known for their elaborate carvings and rich details. Even rough, rustic wood furniture from rural China has found a niche market. However, by the 1940s, Chinese furniture exports to the U.S. nearly ceased due to social instability during the civil war and government-imposed export restrictions.
Today, most furniture sold in the U.S. comes from China, with retailers like PierOneImports and NiemanMarcus playing a key role in bringing these products to consumers. Despite recent adjustments in the RMB exchange rate, Chinese furniture still holds a price advantage over American-made alternatives. According to the U.S. Department of Commerce, China accounts for about a quarter of the $20 billion U.S. wooden furniture market.
The work of a Chinese designer caught the attention of the Ma Shenglong couple in Shanghai and philanthropist Hugh Feiley. Ms. Feiley praised the designer’s ability to merge classical elements with fresh, innovative ideas, reflecting how Chinese society is evolving beyond traditional stereotypes and becoming more dynamic and expressive.
Looking ahead, the designer believes that Chinese furniture will one day achieve the same global recognition as Scandinavian designs. He predicts that over time, Eastern and Western styles will blend seamlessly, stating, “As long as the design is original, it won’t matter whether it's from the West or China.â€
However, some experts in the U.S. decorative design and furniture industries remain cautious about claiming that Chinese furniture will become widely popular. Florida-based interior decorator Joyce Wickley Sauer notes that the market is cyclical, and while minimalist modern styles may be fading, new Chinese furniture aligns well with current trends. She believes that Asian influences and modern aesthetics can coexist beautifully, creating a warm and inviting home environment.
Interestingly, the new Ming style has also received praise from Western designers. Los Angeles-based furniture designer Rose Tallow admires the simplicity of Ming-style furniture, seeing it as a fresh approach to modern design.
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