35 years of senior digital designers look at 3D printing domestically
In general, it is not easy to find a digital 3D artist with decades of experience. If the artist is still a female, it is even more unusual. However, the artist that Xiaobian is going to introduce today meets the above two conditions. She is Corinne Whitaker. She has been in the digital imaging industry for 35 years and runs a website of her own, Digital Giraffe, for 22 years. The work will be released in the month. I can imagine how many of her works, and some of them are also printed in 3D.
Whitaker grew up in Foster City, Calif., and was called "The Heart of Silicon Valley," and she personally came into contact with computers as early as 1981. She stated that there were no art-related programs in the original digital model production. “There was almost no art program in 3D jobs, so I added some irregular equations to the science program, and I was curious as to what it would be. I like accidents. In fact, I still use this method. At the beginning, desktop computers can't be processed in parallel or multitasking, so creating 3D jobs on top of them is a big challenge (such as 48 hours of downtime, card machine and no screens). Then I started Using a software from a Canadian company (Alias ​​Sketch), this software is very good, but unfortunately it has stopped development."
Whitaker's work is full of destructive colors, because she personally views humans, as does the works presented. She believes that human beings' current destruction of the Earth's environment and excessive interference in the universe will eventually lead to their own demise.
For 3D design and 3D printing, Whitaker puts his own opinion on the technical point of view: "I think one of the big problems is related to language and culture. In this field, many manufacturers are male engineers, their language. Understanding the difference with women is very big. In my own experience, men tend to think in geometric terms, and I tend to be organic. The difference is that if I want to form a team with them. We must build a language that suits everyone so that we can understand each other's ideas a lot."
When creating 3D statues, she believes that the biggest challenge in the process is software, because converting 2D to 3D learning curve is not easy, and all 3D programs have exclusive vocabulary. Regarding the creative process, Whitaker said that he needs to completely open his mind. She said: "In the creation, you need to put yourself aside and let yourself fall into a certain degree of madness. As an artist, we have a special wealth, that is, after thinking dislocated and entering a crazy field, we can return In the so-called reality, what I want to express is that in order to know the look of roses, we are willing to touch the thorns with bare hands."
In the context of 3D printing being accepted by more and more artists, Whitaker also embraced the technology, and she predicted that in the next decade, 3D printing will become a widely accepted medium of creation in the art world. “3D printing allows me to touch the creations in my mind, and for the digital imaging industry, this technology is bound to have a transformative impact. It took 150 years to turn photography into an art way. Today, when people are more accepting of new things, I guess digital art will be accepted by the public in a shorter period of time, perhaps in 20 to 30 years. In addition, the application of Hollywood and advertising industry may increase. Faster speed.
(Editor)
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